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Lloyd Banks - Hunger For More 2




Raekwon did, Capone and Noreaga have done it, and even left a Sadat X tempted to do so. The speech is in the meantime has become a trend '2 'album title. Usually referred to a very great predecessor, which in turn curious about the second, after the interviews, of course, always better, is to make part. Whether Lloyd Banks' Hunger For More "can be in 2004 now dubbed as an unqualified success, or rather was, is another question, he tried on the second part. The result: The Hunger For More 2 or even short HFM2. Fifteen tracks (including two international bonus tracks) and brings a whole host of guests. But first we look

solely on our main character, Lloyd Banks. Even in early days of G-Unit Lloyd Banks wanted to be seen in even with the greatest potential to also take on solo paths foot. Voice recognition, proper handling of the microphone and even the quietest of all the gorillas in the room. That did quite well and was rewarded with respectable success in his debut. As a result, even though Banks suffered the disintegration of the empire around his friend 50 Cent. Rather than stick its head in the sand, but he left last year with "Beamer, Benz, Bentley Or" get out a real hit, for the powerful rotating custody and brought him back into the conversation. As far as the history.

The album itself does the same with the opener ("Take Em To War") to the right and offers a sober, to be designated as suitable beat, a good performance from Lloyd Banks, Tony Yayo and takes with the same first gain to the side . What follows are some very good audible minutes with features from Styles P ("Unexplainable"), 50 Cent ("Payback (P's and Q's)") and flown in directly from Virginia Pusha T, on "Home Sweet Home" really like . To complete the first third is still missing, mentioned "Beamer, Benz, Bentley Or with "Juelz Santana. You love it or hate it and like how this is the first third of a settled above the average.

It follows the love once neglected middle piece, the core of an album, if you will. Often be found right here the bare bodies and loveless most songs and also "HFM2" is no exception. could hardly be ironically titled "So Forgetful" with Ryan Leslie, it stamps itself but hardly any in memory. And the backbone of her very ordinary "Father Time", one of the few pure solo pieces, can be a lot of potential and are given away in the tolerable Hook unfortunately advantages. Furthermore, the name sake worth "Start It Up" with a remarkable quartet consisting of Fabolous, Kanye West, Ryan Leslie and Swizz Beatz is as guests. Reads great, sounds in the end be far less spectacular, it's as expected.

Finally, it should then send the songs for the ladies. As Lloyd'sches double to "Any Girl" and "I Do not Deserve You" with Jeremih to be offered, especially the ladies something. Shallow rape, somewhat flatly RnB bonds and you have a new target group of buyers to a drawer. One is more surprised when Raekwon takes the mic and "Sooner Or Later (The Day I) still one of the better tracks on the album spits out of the lungs. What we look around at the end of the round of "HFM2" and would dwell on criticisms.

most obvious flaw is once again breaking the full guest list. Ignoring the two traded pieces as bonus tracks, if you count all of two solo pieces. On all other tracks is set to support. From a bona fide solo album in the true sense can therefore be no question. And even more tragic is it when you realize that just these two solo performances sometimes more convincing than some of the acting forced collabos. Also with regard to diversity issues, it leaves Mr. Banks at old issues. Can or advocate but also criticize the prospective buyer, I would just assume the former.

In sum, "has HFM2" hardly the stuff to more than a few times the round in the drive to turn. While there are one or two useful song in between, however, not all kinds of further significant that would justify a paean unparalleled in any way. Average and with a little good will which we have just a nuance about it - that at this point but then received no more complaints about a lack of satiety.
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This review also appeared on HipHopHolic.de

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Bo Flower - Flo Bauer



The year is 2005 and the market for ringtones is at its zenith. The ads, particularly on popular music channels are full of annoying soliciting, especially a small, yellow chick. The neck is full of just this, published the Hamburg-based Bo Flower "Kill Sw *** ty" and thus moves on to regional attention. That this began in 1996 with Sable, published in 2004 a download album, and even beyond the year 2005 across was active, however, know only a very few. Proud 6 years now elapsed, and "Flo-builders" now appears the third album in his discography, simply titled after himself and comprising 12 pieces.

And where other artists like to talk once the most personal album of their career, to scratch it in the end, at best, only at the surface, Bo Flower is the consistent way. Even the view of the booklet reveals the open, honest character of the long player. One side consists of four sections divided in a welcome speech by which the buyer learns, among other things, that all the photographs that we considered here, used directly from life and photo shoots are not removed. Especially today, when a lot is set to perfectly orchestrated, contrived high gloss images, does this very down to earth and personal.

Personal is the right word, to bring the content line of the album on a common denominator. The love and the society as key issues that deterred Bo Flower not hesitate to process his own experiences in his plays and tell the world. As a result, is liable to the songs in something the audience can participate in the action. Instead of having to empathize with the aid of imagination in telling ghetto dramas have to feel one is reminded of his queen of hearts, feel your own desire to flee from or just take the affirmative statements about our company noted.

"Kuck in the world "for example, is one of those social analysis that reflect always very close to the state of affairs and thus the somewhat sobering truth. In this case, however, an overly pessimistic skillfully-depressive sound around them. "Take it Personal" is the musical work-up of 2008, as Bo Flower has personally experienced. And "Where Where Where" the track of the lost love, which takes only a little later in "Beautiful" or "never" two counterparts who speak of good fortune in a cozy twosome. Egoabfahrten and self-adulation to last one looks in vain. Technically sound

shows that the good man a Tendency to easily digestible hooks sung and has the rare unpleasant belch, but fit very well with the generally very bright sound. No ringtone pop-rap, but it is not the haze of dust-dry concrete metropolis. Rap from Hamburg halt. And why one or the other, reminiscent of Auto-Tune Vocal cosmetics, such as on "Hold" is not noticeable, negative, make "never" to even one of the strongest tracks on the album.

Granted, the exchange of love song about social criticism back into love turns out not always cross and also plenty of lines occurring on the happy togetherness may require a little tired or the right mood. If, however, closer to deal with Bo Flower, has a heart for honest rates and had no problems wandering around on the thin line between kitsch and goose bumps can be found in "Flo-builders" a very decent album, I like.

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Soon it is time again.

The countdown is running. One month left, then the Abiprüfungen and I have finally time for better things in life. :)

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A surprise package

I have a really lovely heart pillow package Julie get

.... a gorgeous arrangement! I'm thrilled. THANK YOU!